She cries grey,
like the wash from the ink brush when
there is only an eyedrop of ink,
there isn’t black.
She calls catastrophe:
it appears, above.
There was no octopus, no graphite, no soot,
nothing could be written,
pages were washes,
scribbles carved flirty moons and moonslices.
She wakes,
she engages friends,
with her concern.
They walk and walk.
I was hands less.
I was less open-eyed,
my breasts not bound
There were things I dismissed
including rust
I knew what I liked.
They found the man to be be angry, and, worse, absent.
A humbug, though, offered what he had to
travelers from the desert.
Even a humbug in a white-gleam
city where everyone
wears tinted lenses,
where there is no such thing as clear.
He has a way up,
a way out,
to Omaha, back
to Omaha,
where my grandparents
and my great-grandparents
were buried in their good clothes.
The humbug said,
“Let’s go.”
I, on Friday nights, dreaded equally
the empty apartment
the friendless bar.
“Let’s go!” said the humbug, who also believed we would never know or need magic again, as he was not magic.
The wizard left alone.
for Omaha,
where my grandparents
and my great-grandparents
are buried in their good clothes.
My great-grandmother Mabel,
who fed me knox blocks and
studied Latin and Greek,
My great-grandfather, who dressed the dead,
My grandmother, buried with her withered mind and worn heart.
My grandfather, whose heart exploded and silenced his squeaky chuckle.
My great-grandmother who stitched.
My great-grandfather who made bathtub gin.
I will not return to Omaha.
I have the shoes.
And I will leave in a click
of a glint and
with color in my eyes.
Well. This was quite remarkable.