Made Up

IMG_0778 Sparkly eyeshadow and inky, aerodynamic eyebrows peer at me over my boyfriend’s shoulder, as he hugs the glam rock guy and says hello.
This is reassuring.  Sparkly eyeshadow on a man is so reassuring.

I had left the house that evening feeling jittery.  Through the wonders of the internet, I was aware that six blocks south, friends of friends had been assaulted on their own front porch.  We live in an exciting part of town.  This means that the parties are wilder, and that we hear gunshots regularly.  We are free to create things, and to destroy them.

I walked down to my landlord’s mailbox and pulled out the copy of my key that I had left for him.  At least I wasn’t rolling out the welcome mat for intruders.  At least I would have the smashing of wood and glass to announce that someone was breaking in.  I pondered leaving my front light on all night.  Did the light say, “Don’t come up here, everyone will see you”?  Or did it say, “Someone lives up here, come get me”?  Then I vacuumed for a while.  I didn’t really feel like going out, but in a nervous frame of mind, I wouldn’t sleep well, either.

The boyfriend and I drove down to a darker, crumblier part of town, where the plodding ghosts of millions of cows cause congestion for the livelier ghosts of cowboys and prostitutes and hobos.

We hiked up some elderly wooden stairs.  At the top: the swaying band and the dancing people and the uneven floor and the giant Cyclops sculpture with the stake sticking way out of his eye and the random castoff furniture and the hand-painted cutouts that turn the back of the space into a sort of a stage.

None of your problems will be solved by happy brass instruments and drums and wiggling singers lined up.  Or by people drinking things that warm their throats.  Or by people in the audience eyeing each other approvingly as they dance, making one big animal of arms and hips.

And nothing is solved by men wearing sparkly eyeshadow.  My nerves are calmed, though, by seeing the dazzle of freedom.  It is expensive because it is valuable.

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Dancing

I went straight from a Midwestern Baptist-style funeral to summer-steamed New Orleans. One minute I was singing a hymn in a pew, and hours later I was on a bus staring at the rehabbed Superdome, seeing the ghosts of the abandoned along the clean sidewalk.

I had to say some firm, abbreviated goodbyes to get out of the church and to the airport on time.  Once I was installed behind the security lines, I disciplined myself to read the newspaper, as if it were a normal day.

I was woozy with exhaustion when I finally got to the New Orleans airport.  I just had to get a ride to the hotel.  Then I could let go and sleep.  But the van was the cheapest way, and the van was a while in coming.  The van drove us by the Superdome.  That was the first I saw of New Orleans.

People had told me, It’s like Europe, and as I looked out the dotted side window, I thought, This isn’t like anything else.  The darkness of it, the narrowness that suggests age, and the patina that proves a city values history—it was strange to me.  There was nothing out those windows that said America.  Americans prefer to tear down a building just when it is getting interesting.  Americans need things opened wide.  There could be aliens or time travelers hidden in this city.  I looked for ghosts.  I saw empty lots.

I was a ghost by the time we got to my hotel.  It was the very last stop on the van’s ring-around-the rosy drop off pattern.  It was also, blessedly, in the French Quarter, in an ancient building, and not part of the dull convention center zone.  I had time for only a few hours’ sleep before my convention began the next morning.

I stumbled through the next day’s work fueled with Styrofoam cups of coffee.  Since this was a business trip, I wasn’t sure that I would partake of New Orleans’ pleasures at the end of the day.  I had a one-drink-with-the-boss limit that I’ve always strictly observed.

However, once we were installed in a piano bar, the drinks began to flow, and almost all of them were gifted to me by other members of our party, and I counted slowly: wine, wine, sazarac, sazarac…. The waiters circulated, jacketed in neat red uniforms.  The cellar walls of the bar ringed us with darkness. The man next to me slashed song titles on a napkin with ballpoint pen, checked them with me, sent them up to the performers.  And I was gleefully tipsy, while safely less drunk than my colleagues, who were singing into their straws and swordfighting with their cocktail swords.

Back at the hotel, I looked at myself in the garish glare of the mirror.  I thought of the good Christian crowd at the funeral.  Boy, if they could see me now.  I drank four cups of water, glugged them down like a trouper, and lay down to try to sleep.  It would be another night of not enough sleep, and another long day of conference sessions in frigid, plain rooms.

My last night in New Orleans, I danced in a blues bar on Bourbon Street.  It was almost empty—a slow night. They sometimes have time during the funeral when people can stand up and say something about the dead person.  I had said something about Grandma.  I told a story about her dancing, although the room was full of dancephobic conservatives.  The story might have been awkward for the crowd, but I thought it did Grandma justice.